{"id":47,"date":"2018-09-17T11:03:03","date_gmt":"2018-09-17T09:03:03","guid":{"rendered":"http:\/\/www.pgweb-formation.com\/fpellerin\/?page_id=47"},"modified":"2025-07-21T13:05:31","modified_gmt":"2025-07-21T11:05:31","slug":"francis-pellerin-a-travers-rennes","status":"publish","type":"page","link":"https:\/\/www.francis-pellerin.fr\/index.php\/francis-pellerin-a-travers-rennes\/","title":{"rendered":"Parcours Francis Pellerin en centre ville de Rennes"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.47&Prime;][et_pb_fullwidth_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_placement=\u00a0\u00bbbackground\u00a0\u00bb text_background=\u00a0\u00bbon\u00a0\u00bb text_bg_color=\u00a0\u00bbrgba(89,89,89,0.9)\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; title_font=\u00a0\u00bbOpen Sans||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime;][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<h2><a href=\"https:\/\/mba.rennes.fr\/\" target=\"_blank\" rel=\"noopener\">Le mus\u00e9e des beaux-arts de Rennes<\/a>, quai Emile Zola<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p>Dans le hall d\u2019entr\u00e9e\u00a0(atrium), se trouve la\u00a0structure g\u00e9om\u00e9trique <i>Le mobile <\/i>(laiton sur moteur, 1956), dans une niche situ\u00e9e au pied de l\u2019escalier central.<\/p>\n<p>\u00a0<\/p>\n<p>Cet unique mobile de Francis Pellerin a \u00e9t\u00e9 r\u00e9alis\u00e9 pour la r\u00e9ouverture du mus\u00e9e apr\u00e8s la guerre. L\u2019\u0153uvre s\u2019inscrit dans le mouvement de l\u2019art cin\u00e9tique que d\u00e9veloppera plus tard le Groupe de recherche d\u2019art visuel (le GRAV).<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb660&Prime; posts_number=\u00a0\u00bb1&Prime; show_pagination=\u00a0\u00bboff\u00a0\u00bb hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p>A l\u2019\u00e9tage, avant de gagner la salle\u00a0d\u00e9di\u00e9e \u00e0 l\u2019art construit, l\u2019on peut contempler <i>La Joie<\/i>, une sculpture en bois des jardins de la villa M\u00e9dicis \u00e0 Rome (42 x 60 x 43 cm) datant de 1947.\u00a0Suzanne Pellerin, la donatrice, disait de cette \u0153uvre qu\u2019elle \u00e9tait repr\u00e9sentative du m\u00e9tier de Francis Pellerin et du passage \u00e0 l\u2019abstraction pendant sa p\u00e9riode romaine.<\/p>\n<p>\u00a0<\/p>\n<p>Monique Merly ajoute\u00a0:<\/p>\n<p>\u00a0<\/p>\n<blockquote>\n<p>La lumi\u00e8re tombant sur son travail met en valeur la Forme qu\u2019il recherche, plus qu\u2019il ne le pourrait lui-m\u00eame\u2026 la comp\u00e9tence de l\u2019artiste est tout enti\u00e8re sollicit\u00e9e mais elle ne saurait suffire. C\u2019est l\u2019\u0153uvre qui se fait\u2026 l\u2019\u0153uvre : \u00ab\u00a0l\u2019inesp\u00e9r\u00e9 que l\u2019on esp\u00e8re\u00a0\u00bb.<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb662,663,664&Prime; posts_number=\u00a0\u00bb1&Prime; hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><span style=\"font-weight: 400;\">Dans l&rsquo;espace consacr\u00e9\u00a0\u00e0 l&rsquo;art construit, au Groupe Mesure et aux R\u00e9alit\u00e9s Nouvelles, on trouve trois autres oeuvres de la donation Suzanne Pellerin :\u00a0<\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">une structure d\u00e9ploy\u00e9e polychrome dat\u00e9e de 1957 (110 x 60 x 58 cm), exemplaire des recherches de l\u2019\u00e9poque des R\u00e9alit\u00e9s Nouvelles et du Groupe Mesure (cf clich\u00e9s page Mus\u00e9e des beaux-arts de Rennes. Donation Suzanne Pellerin)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">une sculpture en ronde-bosse, en bois teint\u00e9 (32 x 11 x 32 cm) et dat\u00e9e de 1984. Cette sculpture est un \u00e9chantillon du travail de recherche intense que Francis Pellerin mena dans son atelier rue Georges Sand \u00e0 Rennes dans les ann\u00e9es 1980.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb673,674,675&Prime; gallery_captions=\u00a0\u00bb\u00a9 Fonds Haude PELLERIN,\u00a9 Fonds Haude PELLERIN,\u00a9 Fonds Haude PELLERIN\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00a0une\u00a0\u0153uvre picturale de 1988, acrylique sur toile (100 x 81 cm)<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Cette toile fait partie des d\u00e9clinaisons du trac\u00e9 du <\/span><i><span style=\"font-weight: 400;\">Grand vaisseau<\/span><\/i><span style=\"font-weight: 400;\">, trac\u00e9 qui date du d\u00e9but des ann\u00e9es 1950 (intitul\u00e9 <\/span><i><span style=\"font-weight: 400;\">Grand vaisseau<\/span><\/i><span style=\"font-weight: 400;\"> en hommage aux \u00e9crits de Mal\u00e9vitch).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">L\u2019acquisition par les Amis du Mus\u00e9e d\u2019une huile sur\u00a0toile<\/span> <span style=\"font-weight: 400;\">g\u00e9om\u00e9trique de 1957 (130 x 89 cm), en \u00e9cho \u00e0 la structure d\u00e9ploy\u00e9e pr\u00e9c\u00e9demment cit\u00e9e.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb269,676&Prime; gallery_captions=\u00a0\u00bb\u00a9 Fonds Haude PELLERIN,\u00a9 Fonds Haude PELLERIN\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; orientation=\u00a0\u00bbportrait\u00a0\u00bb hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<h2><b>L\u2019inspection acad\u00e9mique (ancienne facult\u00e9 des Sciences), quai Dujardin<\/b><\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><span style=\"font-weight: 400;\">Dans le hall d\u2019entr\u00e9e, une structure en cuivre poli, acier et schiste noir\u00a0 (650 x 250 cm) dat\u00e9e de 1961 et aux titres divers\u00a0: <\/span><i><span style=\"font-weight: 400;\">l\u2019Anascope <\/span><\/i><span style=\"font-weight: 400;\">ou <\/span><i><span style=\"font-weight: 400;\">Hommage \u00e0 la science<\/span><\/i><span style=\"font-weight: 400;\">, ou encore<\/span><i><span style=\"font-weight: 400;\"> Infinitude. <\/span><\/i><span style=\"font-weight: 400;\">C&rsquo;est une \u0153uvre<\/span> <span style=\"font-weight: 400;\">qui, avec le d\u00e9placement du regardant, offre une perception cin\u00e9tique. Ce travail d&rsquo;art construit a perdu sa lisibilit\u00e9 du fait de l&rsquo;installation d&rsquo;un bureau d&rsquo;accueil devant lui. Laurence Imbernon, commissaire de la r\u00e9trospective Francis Pellerin de 2005 au mus\u00e9e, d\u00e9plorait dans Ouest-France le manque de respect d&rsquo;une \u0153uvre si importante.<\/span><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"https:\/\/www.ina.fr\/video\/RYC9711126358\" target=\"_blank\" rel=\"noopener\">Un document INA de 1964<\/a>, reportage FR3, montre Francis Pellerin s&rsquo;exprimant devant cette \u0153uvre.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb691,692,693,335&Prime; gallery_captions=\u00a0\u00bb\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Fonds FP\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<h2><b>Le coll\u00e8ge Anne de Bretagne (ancien Lyc\u00e9e Martenot), rue Martenot<\/b><\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><span style=\"font-weight: 400;\">Cet \u00e9tablissement scolaire \u00e0 gauche de l\u2019entr\u00e9e sud du jardin du Thabor poss\u00e8de au-dessus de son porche un bas-relief mural de 1963 intitul\u00e9 <\/span><i><span style=\"font-weight: 400;\">Arp\u00e8ge<\/span><\/i><span style=\"font-weight: 400;\">, en pierre blanche et au trac\u00e9 g\u00e9om\u00e9trique (14 m x 4,50 m).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Suzanne Pellerin d\u00e9clarait en 2005 dans la revue <\/span><i><span style=\"font-weight: 400;\">Le Rennais<\/span><\/i><span style=\"font-weight: 400;\">\u00a0:<\/span><\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">Francis a pu appliquer, pour la premi\u00e8re fois, l\u2019id\u00e9e d\u2019une forme extensible qui peut \u00eatre comprim\u00e9e ou d\u00e9ploy\u00e9e \u00e0 diff\u00e9rentes \u00e9chelles \u2013 concept qui trouvera son apoth\u00e9ose au Centre Culturel Le Triangle, en zup sud de Rennes, vingt ans plus tard, avec la grande fresque murale en granit et schiste.<\/span><\/p>\n<p><em>\u00a0<\/em><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb697,698&Prime; gallery_captions=\u00a0\u00bb\u00a9 Haude PELLERIN,\u00a9 Fonds FP \/ A.M.Rennes\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<h2><b>La facult\u00e9 de droit (entre la sortie nord du jardin du Thabor et la rue Jean Gu\u00e9henno)<\/b><\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><span style=\"font-weight: 400;\">On y trouve plusieurs types d\u2019\u0153uvres de Francis Pellerin, r\u00e9alis\u00e9es entre 1960 et 1962\u00a0:<\/span> <\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Rue Jean Mac\u00e9, accroch\u00e9 \u00e0 la fa\u00e7ade et attenant \u00e0 une plaque d\u2019ardoise grav\u00e9e par Paul Lemagny,\u00a0<\/span><i><span style=\"font-weight: 400;\">une structure m\u00e9tallique <\/span><\/i><span style=\"font-weight: 400;\">(200 x 70 x 40 cm). Sur le th\u00e8me de la boule, cette variation se d\u00e9ploie en trois dimensions.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Une fois entr\u00e9 dans le hall de la facult\u00e9, on y trouve un patio o\u00f9 on peut voir\u00a0<\/span><i><span style=\"font-weight: 400;\">une d\u00e9coration murale<\/span><\/i><span style=\"font-weight: 400;\">\u00a0en pierre et ardoises de 35 m\u00e8tres carr\u00e9 environ. Francis Pellerin de dire que l\u00e0, \u00ab\u00a0il s\u2019agit d\u2019orchestrer des formes, des couleurs, des mati\u00e8res\u2026 et non pas d\u2019illustrer la magistrature dont le rouge et le noir sont les couleurs\u2026\u00a0\u00bb Les diff\u00e9rentes tonalit\u00e9s de gris et brun produisent un rythme accentu\u00e9 par des stries li\u00e9es \u00e0 la disposition de pierres sur la tranche.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Devant ce bas-relief se trouve\u00a0<\/span><i><span style=\"font-weight: 400;\">une sculpture en ronde-bosse<\/span><\/i><span style=\"font-weight: 400;\"> en pierre blanche, d&rsquo;un diam\u00e8tre de 285 cm. Cette sculpture aurait pour th\u00e8me le Bien et le Mal, \u00e9voqu\u00e9 par la dualit\u00e9 des couleurs (le noir et le blanc). Cette boule,\u00a0\u00a0qui devait initialement \u00eatre r\u00e9alis\u00e9e en m\u00e9tal \u00e9maill\u00e9, fait partie des formes r\u00e9currentes de l\u2019oeuvre de Francis Pellerin.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Du c\u00f4t\u00e9 de la rue Jean Gu\u00e9henno, sur un bassin du jardin des amphith\u00e9\u00e2tres et sur le bassin des escaliers y menant, se trouvent\u00a0des<\/span><i><span style=\"font-weight: 400;\"> poissons stylis\u00e9s<\/span><\/i><span style=\"font-weight: 400;\">, en pierre blanche. Le premier poisson s\u2019exprime \u00e0 l\u2019horizontale et le deuxi\u00e8me \u00e0 la verticale (poisson \u00e0 la queue relev\u00e9e).<\/span><\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><span style=\"font-weight: 400;\">Pour rejoindre l\u2019hyper centre de Rennes, une station de bus se trouve \u00e0 proximit\u00e9, en face du restaurant universitaire de la rue Jean Gu\u00e9henno. D\u00e9but 2022 viendra probablement s\u2019y adjoindre une station de m\u00e9tro.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb700,701,702,703,704,706&Prime; gallery_captions=\u00a0\u00bb\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Patrick Merret \/ MBA Rennes\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; orientation=\u00a0\u00bbportrait\u00a0\u00bb hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_css_main_element=\u00a0\u00bbpadding-bottom:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime; text_font=\u00a0\u00bb||||||||\u00a0\u00bb]<\/p>\n<p><span style=\"font-weight: 400;\">Pour celles et ceux qui rejoignent la gare, \u00e0 quelques centaines de m\u00e8tres de celle-ci, en face du centre culturel Les Champs Libres, se trouve l\u2019entr\u00e9e de la\u00a0CPAM<\/span><b>.<\/b><br \/><span style=\"font-weight: 400;\">Dans son hall, o\u00f9 vous pouvez p\u00e9n\u00e9trer, vous pourrez voir une\u00a0<\/span><i><span style=\"font-weight: 400;\">Structure Murale (claustra) <\/span><\/i><span style=\"font-weight: 400;\">en bois exotique de Framir\u00e9 (10,44 x 2,90 m) r\u00e9alis\u00e9e en 1984. Cette claustra est compos\u00e9e de montants verticaux de 15 cm de large par 4 cm d&rsquo;\u00e9paisseur. Elle d\u00e9crit des formes rythm\u00e9es g\u00e9om\u00e9triques dont la lecture varie en fonction des d\u00e9placements du public.<\/span><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb708,709,711&Prime; gallery_captions=\u00a0\u00bb\u00a9 Patrick Merret \/ MBA Rennes,\u00a9 Fonds Haude PELLERIN,\u00a9 Fonds Haude PELLERIN\u00a0\u00bb posts_number=\u00a0\u00bb1&Prime; hover_icon=\u00a0\u00bb%%40%%\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; pagination_font_size_tablet=\u00a0\u00bb51&Prime; pagination_line_height_tablet=\u00a0\u00bb2&Prime; custom_css_main_element=\u00a0\u00bbmargin-bottom:0px !important;\u00a0\u00bb][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbpadding-top:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><strong>Important : Claustra r\u00e9install\u00e9e, apr\u00e8s travaux en octobre 2023 .<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=\u00a0\u00bb1772,1773,1775,1774&Prime; gallery_captions=\u00a0\u00bb\u00a9 Cr\u00e9dits Armel Pellerin,\u00a9 Cr\u00e9dits Haude Pellerin,\u00a9 Cr\u00e9dits Haude Pellerin,\u00a9 Cr\u00e9dits Haude Pellerin\u00a0\u00bb posts_number=\u00a0\u00bb4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2023\/07\/carte-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbDans le Rennais de Mars 2005 &#8211; A %22Sortir de l&rsquo;agglom\u00e9ratio Rennaise%22&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime;][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbmargin-top:-30px;\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\">Dans le Rennais de Mars 2005 &#8211; A \u00ab\u00a0Sortir de l&rsquo;agglom\u00e9ratio Rennaise\u00a0\u00bb<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><strong>Autres lieux :<\/strong> <br \/>&#8211; A l&rsquo;ouest EHPAD Saint Cyr, rue Papu.<br \/>&#8211; Centre-ville, pr\u00e8s de la Facult\u00e9 de Droit : Couvent Saint Anne (Dominicains) rue de Brizeux.<br \/>&#8211; A l&rsquo;est : Eglise Saint Augustin, en face de la MJC du Grand Cordel.<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Square Feancis Pellerin, attenant au parc Maurepas.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbpadding-bottom:10px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2023\/07\/36831.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbpadding-top:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p>Destination Rennes organise, occasionnellement, des arr\u00eats patrimoine, des parcours dans Rennes pour valoriser les oeuvres de Francis Pellerin.<br \/>Ici, une trace photographique d&rsquo;une partie du groupe du 23-04-2023 qui, apr\u00e8s le chemin de Croix de l&rsquo;\u00e9glise Saint Yves, s&rsquo;est interress\u00e9 aux oeuvres de Francis Pellerin au Mus\u00e9e des Beaux Arts de Rennes.<\/p>\n<p><a href=\"https:\/\/www.tourisme-rennes.com\/fr\/reserver-en-ligne\/\" target=\"_blank\" rel=\"noopener noreferrer\">tourisme-rennes.com<\/a> \/ <a href=\"https:\/\/www.tourisme-rennes.com\/fr\/reserver-en-ligne\/\">billetterie-rennes.com<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p>Philippe Bohuon, lors de la visite du <strong>15 mai 2025, \u00e0 la chapelle du couvent des Augustines<\/strong>, attenante \u00e0 la Clinique Saint Yves de Rennes. <br \/>Francis Pellerin en 1949, apr\u00e8s les effets des bombardements du2 juin 1944, y a r\u00e9alis\u00e9 un retable pour le Ma\u00eetre autel, un pour l\u2019autel lat\u00e9ral, une Vierge \u00e0 l\u2019enfant, un Saint Joseph \u00e0 l\u2019enfant, un calvaire descente de Croix et un Baptist\u00e8re.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime;][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/1000023388-Copie-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime;][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbmargin-top:-25px !important;\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\">\u00a9 Haude Pellerin<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/dest2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime;][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime; custom_css_main_element=\u00a0\u00bbmargin-top:-25px !important;\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\">\u00a9 Haude Pellerin<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb3.0.86&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;]<\/p>\n<p><strong>Eglise Saint Yves<\/strong>, Delphine Gallois, directrice du Mus\u00e9e des Beaux Arts de Rennes depuis 2024, a particip\u00e9 \u00e0 la visite<br \/> du<strong> 22 mai 2025<\/strong> organis\u00e9e par Destination Rennes.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.47&Prime;][et_pb_fullwidth_post_title meta=\u00a0\u00bboff\u00a0\u00bb featured_placement=\u00a0\u00bbbackground\u00a0\u00bb text_background=\u00a0\u00bbon\u00a0\u00bb text_bg_color=\u00a0\u00bbrgba(89,89,89,0.9)\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86&Prime; title_font=\u00a0\u00bbOpen Sans||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb][\/et_pb_fullwidth_post_title][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime;][et_pb_row _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime; parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;] Le mus\u00e9e des beaux-arts de Rennes, quai Emile Zola [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb3.0.86&Prime;] Dans le hall d\u2019entr\u00e9e\u00a0(atrium), se trouve la\u00a0structure g\u00e9om\u00e9trique Le mobile (laiton sur moteur, 1956), dans une niche situ\u00e9e au pied de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":656,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/pages\/47"}],"collection":[{"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":78,"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":1947,"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions\/1947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/media\/656"}],"wp:attachment":[{"href":"https:\/\/www.francis-pellerin.fr\/index.php\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}