\nCette sculpture est construite selon les m\u00eames principes g\u00e9om\u00e9triques et abstraits que Le Mobile (dans l\u2019atrium). Selon le point de vue du spectateur, la perception formelle de la pi\u00e8ce est transform\u00e9e. Ce caract\u00e8re se renforce gr\u00e2ce \u00e0 une palette de couleurs franches et non illustratives\u2026 Francis Pellerin est sensible aux projets de d\u00e9coration monumentale propos\u00e9s par des artistes comme Jean Gorin, Etienne Boethy ou Felix Del Marle. Il inscrit tr\u00e8s vite son \u0153uvre abstraite dans le registre constructiviste de ces derniers.<\/p>\n<\/blockquote>\n
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Pour la toile acrylique sans titre de 1988 (100 x 81cm), les archives de l\u2019atelier de Francis Pellerin, disponibles aux archives municipales de Rennes, montrent que le trac\u00e9 qui construit l\u2019\u0153uvre a \u00e9t\u00e9 \u00e9labor\u00e9 au d\u00e9but des ann\u00e9es 1950. On retrouve ce m\u00eame trac\u00e9 dans des peintures appel\u00e9es Grand vaisseau<\/i> en hommage aux \u00e9crits de Kasimir Malevitch (4 variations, huile sur toile, lors de la premi\u00e8re p\u00e9riode g\u00e9om\u00e9trique et 13 d\u00e9clinaisons, acrylique sur toile, en deuxi\u00e8me p\u00e9riode). Laurence Imbernon souligne :<\/p>\n\nLe m\u00eame trac\u00e9 r\u00e9gulateur qui anime ses sculptures, construit le tableau. La construction tripartite fr\u00e9quente dans les \u0153uvres de la premi\u00e8re p\u00e9riode, entre 1956 et 1962, devient plus complexe, pour bient\u00f4t dispara\u00eetre dans les \u0153uvres r\u00e9alis\u00e9es entre 1988 et 1998\u2026 Francis Pellerin emprunte aux constructivistes une couleur qui n\u2019est jamais descriptive ou imitative. R\u00e9duite ici aux nuances du noir et du blanc et d\u2019une palette de gris, la couleur renforce la structure graphique et g\u00e9om\u00e9trique de la composition.<\/p>\n<\/blockquote>\n
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![\"\"](\"https:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2019\/01\/8-Grand-Vaisseau-1980-242x300.jpg\")
Acrylique sur toile\u00a01988 \u2013 Donation Suzanne Pellerin
\u00a9 Haude Pellerin<\/p>\n
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\u00ab La joie \u00bb<\/strong> une cr\u00e9ation romaine, \u00e0 la Villa M\u00e9dicis – 1947<\/p>\nFrancis Pellerin utilise du bois issus de coupes d\u2019arbres dans le jardin de la Villa.
Il r\u00e9alise en bois une \u00e9bauche bien avanc\u00e9e de sa sculpture tir\u00e9e en bronze (1947). Et lorsqu\u2019il revient \u00e0 Paris, il installe cette \u00e9bauche dans son atelier rue du Moulin de Beurre, quartier Montparnasse. Cet atelier \u00e0 Paris est ferm\u00e9 en 1969 \u00e0 cause d\u2019une expropriation. Les oeuvres qui s\u2019y trouvent sont install\u00e9es dans sa maison-ateliers, rue Georges Sand \u00e0 Rennes (35).
En 1982, Francis Pellerin sort dans son jardin cette \u00e9bauche en bois et fini sa forme, avec les gestes du sculpteur sur bois.<\/p>\n
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Son fils Gwena\u00ebl le photographie en pleine action. Les n\u00e9gatifs de ce reportage sont confi\u00e9s en 2025, aux Archives municipales de Rennes.<\/p>\n
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Don des Amis du Mus\u00e9e<\/h2>\n
Don au mus\u00e9e par la Soci\u00e9t\u00e9 des Amis du Mus\u00e9e\u00a0(pr\u00e9sid\u00e9e par Sylvie Blotti\u00e8re\u2013Derrien) en\u00a0d\u00e9cembre 2014<\/strong> d\u2019une huile sur toile, 130 x 89 cm, dat\u00e9e de 1957. L\u2019\u0153uvre fait \u00e9cho\u00a0aux structures d\u00e9ploy\u00e9es.<\/p>\nCette toile a \u00e9t\u00e9 raccroch\u00e9e fin juillet 2022<\/strong>, apr\u00e8s une restauration r\u00e9alis\u00e9e par Armel Pellerin et un r\u00e9encadrement par S\u00e9verine Dufrost. Claire Lignereux, responsable des collections art moderne et art contemporain du mus\u00e9e, depuis novembre 2021, s’exprime sur cette \u0153uvre:<\/p>\nCe tableau est embl\u00e9matique des recherches plastiques de Pellerin \u00e0 la fin des ann\u00e9es 1950: une d\u00e9marche constructiviste, rigoureuse, qui donne un trac\u00e9 r\u00e9gulateur au tableau. Les surfaces g\u00e9om\u00eatriques s’y d\u00e9ploient et s’imbriquent, rythm\u00e9es par la tension entre les lignes orthogonales et obliques. Les aplats sont nets, avec une alternance de couleurs vives et assourdies. Cette \u0153uvre est devenue un incontournable dans nos collections abstraites et un pivot dans la salle d\u00e9di\u00e9e au Groupe Mesure, au premier \u00e9tage du mus\u00e9e.<\/p><\/blockquote>\n
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Sylvie Blotti\u00e8re
\u00a9 Haude Pellerin\n<\/p>\n
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Claire Lignereux et Armel Pellerin
\u00a9 Haude Pellerin<\/p>\n
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\u00ab L’Etag\u00e8re des Formes \u00bb<\/h2>\n
Le Mus\u00e9e (aid\u00e9 par les Amis du Mus\u00e9e) fait l\u2019acquisition en 2021<\/strong> d\u2019un ensemble de 175 maquettes issues de l\u2019atelier Francis Pellerin; un ensemble intitul\u00e9 \u00ab l’Etag\u00e8re des Formes \u00bb ou \u00ab Atelier des Formes \u00bb.<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/02\/SKM_C22723051819370-22.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding: 0px !important;\u00a0\u00bb]<\/p>\n
Patrick Merret<\/p>\n
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\u00a0<\/p>\n
Pour l\u2019ouverture de l\u2019antenne du Mus\u00e9e des Beaux Arts de Rennes<\/strong>, le 1er f\u00e9vrier 2025<\/strong>, une des habitantes du quartier de Maurepas a choisi de montrer une des maquettes de \u00ab L\u2019Atelier des Formes \u00bb de Francis Pellerin. Son choix a \u00e9t\u00e9 photographi\u00e9 par Isabelle Arthuis<\/strong>.<\/p>\nR\u00e9cit d’habitante :
<\/strong><\/p>\nCandice a \u00e9t\u00e9 attir\u00e9e par une sculpture de l'\u00a0\u00bbAtelier des Formes\u00a0\u00bb de Francis Pellerin. <\/em> Parmi les milliers de possibles, c’est le discours du conservateur qui l’accompagnait qui a donn\u00e9 vie \u00e0 l’oeuvre.<\/em><\/p><\/blockquote>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/arthuis2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:10% !important;\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding-top:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding: 0px !important;||margin-top:5% !important;\u00a0\u00bb]<\/p>\n
Claire Lignereux<\/strong>, s\u2019exprime dans cet extrait du film documentaire\u00a0en 2024 : \u00ab Francis Pellerin, sculpteur en mouvement \u00bb sur l\u2019inter\u00eat de cette acquisition.<\/h2>\n[\/et_pb_text][et_pb_video src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/video\/MONTAGE_SOUS_TITRES_2.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/02\/claire-lignereux.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbdonation-gp\u00a0\u00bb module_id=\u00a0\u00bbgwen\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_padding=\u00a0\u00bb54px|0px|55px|0px\u00a0\u00bb custom_css_main_element=\u00a0\u00bbpadding-bottom:0px !important;||padding-top:20px !important;\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbDons\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb]<\/p>\n
Donation Gwena\u00ebl Pellerin, dernier trimestre 2024<\/h2>\n
Une maquette balsa et contreplaqu\u00e9, format : L 104, H 29, P 1,5 cm
\nDe la Structure murale r\u00e9alis\u00e9e en 1984 dans le hall d\u2019accueil de l\u2019immeuble de la s\u00e9curit\u00e9 sociale,
\ncours des Alli\u00e9s \u00e0 Rennes.
\nDes travaux du rez de chauss\u00e9e ont g\u00e9n\u00e9r\u00e9 une relocalisation de cette oeuvre fin octobre 2023.<\/p><\/blockquote>\n
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\u00a9 Armel Pellerin<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/IMG_2962-1-rotated.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbmargin-top:-25px\u00a0\u00bb]<\/p>\n
\u00a9 Armel Pellerin<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/cpam1-scaled.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;||margin-top:-25px !important;\u00a0\u00bb]<\/p>\n
\u00a9 Haude Pellerin<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ module_id=\u00a0\u00bbhaude\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″][et_pb_row _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86″]<\/p>\n
Donation Haude Pellerin, juillet 2025.<\/h2>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86″ module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_css_main_element=\u00a0\u00bbpadding:0px !important;\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbmargin-top:20% !important;\u00a0\u00bb]<\/p>\n
\u00a0<\/p>\n
Structure<\/strong> :
Sculpture en bois naturel cir\u00e9e de 1960 Format : H 50,5, L 20, P 25 cm<\/p>\nC\u2019est une des oeuvres que Francis Pellerin a expos\u00e9e lors de l\u2019exposition \u00e0 Rennes du Groupe Mesure, en 1961. Cette exposition au Mus\u00e9e des Beaux Arts de Rennes a vitalis\u00e9 ce groupe avant-gardiste dont le pr\u00e9sident \u00e9tait Georges Folmer.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/don-h.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbmargin:auto !important;\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86″]<\/p>\n
\u00a9 Patrick Merret<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.0.86″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.86″ parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb3.0.86″]<\/p>\n
Maquette de r\u00e9alisation de l\u2019Anascope<\/strong> (1958-1959) en balsa, contreplaqu\u00e9 et carton fond dor\u00e9.<\/p>\nFormat : L 67, H 34,5, P 11,5 cm
C\u2019est dans le hall de la facult\u00e9 des Sciences, quai Dujardin \u00e0 Rennes, qu\u2019elle a \u00e9t\u00e9 r\u00e9alis\u00e9e, en 1961, en ardoise et cuivre poli : H 2,50, L 6,50 m\u00e8tres.
Francis Pellerin l\u2019avait nomm\u00e9e \u00ab Infinitude \u00bb pour souligner le caract\u00e8re cin\u00e9tique de sonOeuvre. Le professeur Milon l\u2019a renommera \u00ab Anascope \u00bb,
nom qu\u2019adoptera Francis Pellerin !<\/p>\n
[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/www.francis-pellerin.fr\/wp-content\/uploads\/2025\/07\/maquette-scaled.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.86″ custom_css_main_element=\u00a0\u00bbmargin:auto !important;\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.86″]<\/p>\n
\u00a9 Haude Pellerin<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
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